1. If anyone in the Atlanta area has this book and is willing to let it leave their library, I’d be more than happy to exchange it for a print of any of my work up to 16x24 [I would go larger, but don’t have the resolution to do so] or two hours in front of the camera.
    If anyone in the Atlanta area has this book and is willing to let it leave their library, I’d be more than happy to exchange it for a print of any of my work up to 16x24 [I would go larger, but don’t have the resolution to do so] or two hours in front of the camera.
  2. Adrienne and I spent a lovely day in Tallulah Gorge wednesday, I must say that Oceana certainly looks different when its got the full 500 cfs going over it. [that’s it behind us, check it out at full flow here]
    Adrienne and I spent a lovely day in Tallulah Gorge wednesday, I must say that Oceana certainly looks different when its got the full 500 cfs going over it. [that’s it behind us, check it out at full flow here]
  3. ❝ Sushi is a good metaphor for my architecture. The importance in sushi is to choose the best material from the place, in season.

    If the journey of the ingredients is too long, the taste of the sushi is compromised. That is a problem that can’t be solved by modern technology, and that programme of using local material in season is the secret of good taste, and the secret of my style. ❞


    Kengo Kuma
  4. For the full set of photos from me and Michael Gluzman on set of Astray, take a look here.
    For the full set of photos from me and Michael Gluzman on set of Astray, take a look here.
  5. Chigger Bites: 44
Miles Driven: 674
Chance to take a breathtaking photo: meh
I got a chance this weekend to to set photography for Astray. I had a good time and met an extraordinary group of people. Look for more stills soon.
Director: Brandon Osterman
Director of Photography: Chris Stones
Producer: Wesley Wingo
    Chigger Bites: 44
    Miles Driven: 674
    Chance to take a breathtaking photo: meh

    I got a chance this weekend to to set photography for Astray. I had a good time and met an extraordinary group of people. Look for more stills soon.

    Director: Brandon Osterman
    Director of Photography: Chris Stones
    Producer: Wesley Wingo
  6. Typography friday, a little handmade goodness. This is Starbucks breakfast blend on bristol. If I was going to ‘waste’ coffee, I might as well make it bad coffee that I’m wasting. If you couldn’t tell, its based on Cronos Pro.
    Typography friday, a little handmade goodness. This is Starbucks breakfast blend on bristol. If I was going to ‘waste’ coffee, I might as well make it bad coffee that I’m wasting. If you couldn’t tell, its based on Cronos Pro.
  7. boredom
    boredom
  8. My attempts at creating rosettas continue to be failures, but its getting a little better. These are with TJ’s Volcano (an extra dark roast)…got amazing crema in both shots, but still got a major ‘Fail’ in the rosetta production department.
    My attempts at creating rosettas continue to be failures, but its getting a little better. These are with TJ’s Volcano (an extra dark roast)…got amazing crema in both shots, but still got a major ‘Fail’ in the rosetta production department.
  9. I just HAD to point out that the title design for ‘A Long Walk to Forever’ uses Trajan, the movie font.

    michaelgluzman:

    way back when, xero films was the hottest little movie-making machine at chamblee highschool. here are clips from long time forgotten films plus! our first entry into campus moviefest in 06. an entry that probably spearheaded our way into CMF stardom. it was nominated for ‘best drama’ @ Tech. then hooked us up with very talented people who joined us in growing our film buds.